dinsdag 28 februari 2017

Ellen's III. Gesang (Hymne An Die Jungfrau) (1825) / Ave Maria (1826) / Eva Magdalena (1969)


"Ave Maria" is a popular and much-recorded setting of the Latin text "Ave Maria", a traditional Catholic prayer asking for the intercession of the "Blessed Virgin Mary", the mother of Jesus.
The first part of this prayer, the Scriptural part, is taken from the Gospel of St. Luke and joins together the words of the Angel Gabriel at the Annunciation (Luke 1:28) together with Elizabeth's greeting to Mary at the Visitation (Luke 1:42)
Later, probably by Pope Urban IV around the year 1262, Jesus' name was inserted at the end of the two passages.
"Ave Maria, gratia plena, Dominus tecum. Benedicta tu in mulieribus, et benedictus fructus ventris tui, Iesus".
The second half of the prayer ("Sancta Maria, Mater Dei, ora pro nobis nunc et in hora mortis nostrae") can be traced back to the 15th Century in a Roman Breviary
The current form of the prayer became the standard form sometime in the 16th century and was included in the reformed Breviary promulgated by Pope St. Pius V in 1568.

As I said above the prayer has been set to various musical settings over the course of time.
Already in 1788 Mozart had written a melody for the Catholic prayer.
A very famous musical setting is the Bach/Gounod setting from 1853, which I have covered here: Joop's Musical Flowers: Praeludium # 1 (1722) / Méditation sur le 1er Prélude de S. Bach (1853) / Ave Maria (1859)


After the Mozart, but before the Bach/Gounod setting, the prayer had been set to music by Franz Schubert around 1825.
In that year Franz Schubert composed "Ellens dritter Gesang" ("Ellens Gesang III", D. 839, Op. 52, No. 6, 1825), in English: "Ellen's Third Song", as part of his Opus 52, a setting of seven songs from Walter Scott's popular epic poem The Lady of the Lake (1810).
 


The particular poem "Hymn To The Virgin" (verse XXIX from Canto Third) from Walter Scott's The Lady of the Lake, was first translated into German in 1819 by Adam Storck (1780–1822) and contained in Storck's Fräulein vom See (1819)



Storck's translation then became the basis for Schubert's book of songs, Liederzyklus vom Fräulein vom See (Song Cycle Of The Lady Of The Lake), composed in 1825. There the "Ave Maria" song is called "Ellen's III. Gesang (Hymne An Die Jungfrau)" ("Ellen's Third Song (Hymn To The Virgin)".

An edition of the songs set to both the German words by Storck and to Scott's original English words was published in 1826 as Schubert's Op. 52, under the title "Sieben Gesänge aus Walter Scotts Fräulein vom See" (Seven Songs from Walter Scott's Lady of the Lake).
 


The opening words and refrain of Ellen's song, namely "Ave Maria" (Latin for "Hail Mary"), may have led to the idea of adapting Schubert's melody as a setting for the full text of the traditional Roman Catholic prayer "Ave Maria". The Latin version of the "Ave Maria" is now so frequently used with Schubert's melody that it has led to the misconception that he originally wrote the melody as a setting for the Latin "Ave Maria".


The first recording I could find is one with the German lyrics by Adam Storck.

(o) Edith Clegg (1898) (as "Ave Maria")
Recorded October 11, 1898 in Maiden Lane, London
Matrix y-8-1
Released on Berliner's Gramophone E 3023


See page 23/24 on the next link:




Listen here:


Or here:




(c) Albert Piccaluga (1903) (as "Ave Maria")
Recorded January 1903 in Paris
Matrix 1398f
Released on Disque Pour Gramophone (Gramophone and Typewriter) # 2-32666 (or 2-32667?)
Also released on Zonophone X-82064



In 1904 Albert Piccaluga recorded a version in Paris for the Columbia-label (# 50591)




And in March 1905 Albert Piccaluga recorded a version in Paris for the Odeon-label
Matrix xP 1317
Released on Odeon X 36034


And in January 1907 Albert Piccaluga recorded a version in Paris for the APGA-label
Released on APGA # 1573





(c) Olga von Türck-Rohn (1904) (as "Ave Maria")
Recorded Ocober 1904 in Vienna
Matrix 2421h
Released on G&T 43649




(c) Josef Hollman (1906) (as "Ave Maria"
(instrumental)
Recorded February 1, 1906 in New York
Released on Victor 64001 and Victrola 64001
 

Or here:

>



(c) Maud Powell (1910) (as "Ave Maria"
(instrumental)
Recorded May 25, 1910 in New York
Released on Victrola 74177


Listen here:




(c) Julia Culp (1910) (as "Ave Maria"
with the German lyrics by Adam Storck
Otto Bake, piano
Recorded 1910 in Berlin
Released on Anker E 9453
 
with the German lyrics by Adam Storck
Recorded July 1912 in Berlin
Matrix xxB 5740
Released on Odeon # 76342, also on 53267 and O-6444

with the German lyrics by Adam Storck
Recorded in March 1910 in Berlin
Released on Edison Amberol Cylinder # 15086 and Edisin Blue Amberol # 26137






(c) John McCormack (1914) (as "Ave Maria"
with the English lyrics by Sir Walter Scott
Recorded March 25,1914 in New York
Released on Victor 88484 and Victrola 8033





(c) Lucy Isabelle Marsh (1915) (as "Ave Maria"
(with the English lyrics by Sir Walter Scott)
Recorded January 6, 1915 in Camden, New Jersey
Released on Victor 55052






(c) Frieda Hempel (1921) (as "Ave Maria")  
with the German lyrics by Adam Storck
Recorded 1921 in Berlin
Matrix 341av
Released on Grammophon # 043370




And here:




(c) Marie Rappold (1921) (as "Ave Maria"
with English lyrics by ??
Albert Spalding: violin
Recorded June 1921 in New York
Released on Edison 82258
 


Listen here:





(c) Emmy Heckmann-Bettendorf  (1922) (as "Ave Maria")
with the German lyrics by Adam Storck
Max Saal (harp)
Recorded January 27, 1922 in Berlin
Matrix 2-5721
Released on Parlophon P-1492

with the German lyrics by Adam Storck
Recorded February 1923 in Berlin
Matrix 1068as
Released on Grammophon # B 24198 (72838)






(c) Olga Haley (1925) (as "Ave Maria")
Recorded November 1925 in London
Matrix 04201
Released on Vocalion K-05257
 




(c) Lotte Lehmann (1927) (as "Ave Maria")  
with the German lyrics by Adam Storck
Recorded December 6, 1927
Matrix xxb 7874
Released on Odeon O-8719 and on Decca PG 25797







(c) Emmy Bettendorf  (1929) (as "Ave Maria"
with the German lyrics by Adam Storck
Paul Mania (organ) Recorded February 18, 1929 in Berlin Released on Parlophon P-9378-I
 
with the German lyrics by Adam Storck
Recorded around August 1933 in Berlin
Released on Odeon O-11891






(c) Erna Berger (1933) (as "Ave Maria")  
with the German lyrics by Adam Storck
Max Saal (harp)
Recorded in 1933 in Berlin
Matrix 5589 1/2  BD8
Released on Grammophon (Polydor) # 10098

with the German lyrics by Adam Storck
Leo Rosenek: conductor
Recorded June 23, 1934 in Vienna
Matrix 2WX766-2
Released on Electrola DB 2291 (32-4807) and Victor 8423
 




(c) Marian Anderson (1936) (as "Ave Maria")  
with the German lyrics by Adam Storck
Kosti Vehanen: piano
Recorded February 4, 1936 in New York
Released on Victor 14210
 

Listen here:




(c) Rosa Ponselle (1939) (as "Ave Maria"
with the Latin lyrics of the prayer
Mischa Schmidt: violin
Recorded November 1, 1939
Matrix: 2A 042212
Released on HMV VB 74
 



Or here:


Or to a cleaned-up version here:



During a political rally in Baltimore for Dwight Eisenhower, John Charles Thomas had been asked to sing until he made his appearance. Thomas knew that Ponselle, a friend of the Eisenhowers, was in the audience, and he asked the crowd to help him persuade her to come to the microphone. Several minutes of deafening applause accompanied her to the stage. They agreed to do a popular duet, and then Rosa sang Schubert’s Ave Maria, one of Eisenhower’s favourites. She did not know that her voice was being broadcast through loudspeakers outside, nor that it was being recorded.

(c) Rosa Ponselle (1952)
Recorded September 25, 1952 in Baltimore
General Eisenhower Baltimore Rally Concert

Not released until 1995 on the next CD, where you can listen to a sample




(c) Deanna Durbin (1940) (as "Ave Maria")  
with the Latin lyrics of the prayer
Recorded February 28, 1940 in Los Angeles
Released on Decca 3061 and Brunswick 02975



Listen here:


Deanna also sang her version in the movie: "It's A Date".




Walt Disney used Schubert's song in the final part of his 1940 film "Fantasia", with the Philadelphia Orchestra and chorus joined by soprano Julietta Novis.
Released date of the film was November 13, 1940
The text for this version is sung in English, and was written by Rachel Field.

Ave Maria! Heaven's Bride.
The bells ring out in solemn praise,
for you, the anguish and the pride.
The living glory of our nights,
of our nights and days.
The Prince of Peace your arms embrace,
while hosts of darkness fade and cower.
Oh save us, mother full of grace,
In life and in our dying hour,
Ave Maria!



Listen here




(c) Dorothy Maynor (1940) (as "Ave Maria")  
with the German lyrics by Adam Storck after Walter Scott
Arpad Sandor: piano
Recorded December 18, 1940 in recital at the Library of Congress
Released on Victor 15752
 

Or here:




(c) Richard Tauber (1941) (as "Ave Maria")  
with the Latin lyrics of the prayer
Recorded Augustus 25, 1941 in London
Released on Parlophone RO 20501


Or here:




(c) Vera Lynn (1943) (as "Ave Maria"
with the English lyrics by Sir Walter Scott
Recorded December 1942
Released on Decca F-8256


Listen here:





(c) Bing Crosby (1945) (as "Ave Maria")  
with the Latin lyrics of the prayer
Recorded July 30, 1945 in Los Angeles




In 1944 Bing also sang a version in the movie "Going My Way" (released May 3, 1944)




(c) Beniamino Gigli (1947) (as "Ave Maria")  
with the Latin lyrics of the prayer
Recorded November 26, 1947 in London
Matrix 2EA10684-1
Released on HMV DB6619 and Victor 12-0400



Listen here:




(c) Perry Como (1949) (as "Ave Maria")  
with the Latin lyrics of the prayer
Recorded September 30, 1949 in New York City
Released on RCA Victor 28-0436






(c) Sarah Vaughan (1951) (as "Ave Maria")  
with the English lyrics by Sir Walter Scott adapted by T. Baker
Recorded January 17, 1951 in New York
Matrix CO 45114
Released on Columbia 39207
 





(c) Irmgard Seefried (1952) (as "Ave Maria")  
(with the German lyrics by Adam Storck)
Erik Werba (piano)
Recorded September 13, 1952 in Vienna.
Released on Deutsche Grammophon Gesellschaft # 46007
 
with the German lyrics by Adam Storck
Released November 1966 on the next album



Listen here:





(c) Stevie Wonder (1967) (as "Ave Maria")  
with the Latin lyrics of the prayer


Listen here:





(c) Curd Borkmann (1969) (as "Eva Magdalena"
German lyrics by Karl Götz and Kurt Hertha


Listen here:




(c) Malcolm Roberts (1969) (as "Eva Magdalena"
English lyrics by G.Whitehead and T.Gardner


Listen here:




(c) D.C. Lewis (1971) (as "Eva Magdalena"
Dutch lyrics by Jochem van Renesse


Listen here:




(c) Nana Mouskouri (1975) (as "Ave Maria")  
with German lyrics by Brigitte Otto


Listen here:





(c) Nina Hagen (1989) (as "Ave Maria")   
with German lyrics by Brigitte Otto


Listen here:




(c) Celine Dion (1998) (as "Ave Maria")  
with the English lyrics by Sir Walter Scott and the Latin lyrics


Listen here:





(c) Barbra Streisand (2001) (as "Ave Maria"
with the Latin lyrics of the prayer






(c) Michael Bublé (2011) (as "Ave Maria")   
with the Latin lyrics of the prayer


Listen here:




In 2014 Fairuz recorded a version in memory of her ex-husband Assi Rahbani, who wrote the lyrics of this version of "Ave Maria".

Listen here:




More versions here:





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